Prior to Filming
Notes toward 8500
Photographer walks down the street,
cameras swinging wildly
she is slightly stooped
she has dark glasses
and pulls her hair partly around her face
she pulls up a camera
and snaps it at the sky
as if she were shooing it.
Reporter
walks, opposite direction:
birds, cars,
the rumble of a street
how many rings of years
does that tree have?
Do all these things in the background
know me, or do I become their background.
Photographer walks with her hand on her head
she is obviously in pain.
the sun is too bright for her
the sounds are much too highpitched
and much too low
Photographer
The world is too heavy
To put in my camera
Especially to put in my eyes
Light in around over
And through
A camera in my face
Advance and focus and click
Advance
The world won't turn
Into images
All just scattered
Colors and blurs
Light above around within
The light can't be trusted
The sun flickers
Like a bad lightbulb
Coifed with dust
And insect corpses
I can't see pictures
I can't put pictures
In the camera
Only chaos will go in
Only confusion
I can't snap a single moment, not a tick
Even the tiniest time
Takes forever, blurs
I can't focus
On one detail
Even a flat wall
Is made out of
Too many planes, such advanced geometry
If I have a picture
If I see an image
If I so much as breathe
If I so much as twitch
It is gone, long gone
I can' shape pictures
Out of my head
If can't fit anything
Inside of it
My head is too full
Too full of nonsense
Too full of pain
Too full of unpleasant
Unpleasant
Unpleasant whatever
There's a person
There's a face
But it won't register
I can't put it into a picture
It won't form a face
In my brain
Or on my film
It's just a jungle of skin
And curves
It might as well be a wall
Can a picture penetrate
Can a picture get inside
Even an x-ray can't show
The pain of my headache
The queasiness of the sun on
My hair
How can a picture
Be more than a bad excuse
Be more than a lie
The first eye
The first creature that could see
Couldn't, really
It was just a feeling
A depression to focus light
To feel the difference between
Light and dark
All the eye does
Is feel the variations
Between light and dark
We have to make the pictures
In our heads
Picture this
Picture a picture
Picture me
Making a picture
Something I make by looking
One direction more than another
By hugging a rectangle
Around this rather than that
Snapping that this moment
Is more important than that one
Turning a simple now
Into a forever
Praising it into eternity
Trivializing and enshrining it
In variations of light and dark
Rocks and bark
And green and brown
And rough and smooth
And red and blue
The sky the ground
The up the down
The painter the sculptor
The potter the buyer
The looker the glancer
The sitter the stander
The atom the mountain
The concrete the phantom
Up down
Side to side
The ripples that break
The calm of the lake
Picture the summer
The tranquil the angry
Picture the daylight
The tingle the peace
Picture the haze
The birds and the noise
Picture the morning
The noon and the growing
Picture what happens
Before you can snap it
Picture what happens
Long after you've left
Reporter
Temperature, 85 degrees, wind light
8:15 a.m. the coffee smells strong
strong enough to get me past my dream
"I do not know whether
I shall succumb to that,
to all those acts which at the end of a life
come together to make up one's destiny.
Some succumb and some dont.
Perhaps changing one's identity one commits an error,
one succumbs to life."
I smell movement. The day is electric.
artists and sellers have stabbed the ground
to hold up their tents
to shelter their tables.
I don't know what to expect, or do I.
"A journalist sees reality with a certain consistency:
the ambiguous consistency of a viewpoint, which to him,
and only to him, seems objective."
How do I turn what I see and hear
into a story that my editor will want.
Where do I start, with the tent setting up,
with the end of the day and the receipts totaled,
with a quiz, with a small detail
taken wildly out of context,
with something that I expect but that hasn't happened yet?
"Pretending to be objective,
you annul yourself.
Others talk through you but you remain extraneous.
What sense would life have then?"
How do I ask these questions
How do I walk up to a stranger
Someone standing there
Walking by
Possessing all their own thoughts
All their own ideas
Songs sung along silently
All in their heads
In charge of their own
World of words
And brain and memory
And I must reach out
And I must stop them
And I must pose to them a question
My question, far too simple for ideas
Far too complex for words
A question that halts dead on
Their own thoughts, ideas,
Their own interior world
And I force with my question
A specific point of view
It wasn't a dream
So much as a vision
Something I was meant to receive
A gift, a meaning
Something I was privileged
To get
But not to understand
Initial questions:
For artists;
Does your work help you find meaning in your life?
Do you put yourself into your work, and if so, how?
Why do you do this?
What is the relation of art to life?
Does your work have spiritual power, like cave paintings did?
For public:
What is most special to you?
What makes a day extraordinary?
Is there power in simplicity?
What makes you smile the most?
Are you happy?
Why are you unique?
A word in an incantation
A string of them makes magic
Transference, transubstantiation
I made this thought
This tingle, vibration
Into something that can last forever
If I carve it into a rock
If I say it loud enough
I can pin my conviction
With a word
I can tell my life
With a well-thought out sentence
I can bottle up a day
Or more molecules than I can fathom
With a simple paragraph
Or a few lines of poetry
In the beginning was the word
But which word was it
Do words really say it
Do words really mean it
Can I really turn a blade of grass
Or a glass of water
Into a word
I can't drink the word
I can't rub it on my knees
And make a green stain
Does a bird chirp
To tell us what it sees and feels
Words came from warning
Words came from curse
From incantation
If they rhyme you can remember
If you say them right
The stone can move
The genie grant
The rain fall down
Magic words
Like please and thank you
Ask and you shall receive
But what do you get
With a 15 ton word
Can you get rich
Can you get wisdo
Words are for groping
Words are for lying
Words are deceiving
Words are concealing
Words stand for something
They stand for themselves
Words are not helpful
Words are no friend of mine
The words have lost their magic
"presto" no longer sparks
or even toasts a slice of bread
"open sesame" won't move a rock
or even a genie from his fat couch
spells have lost their power
nobody has turned into a toad lately
"mirror mirror on the wall"
won't tell me squat
first goes the magic
the meaning goes next
one two
buckle my shoe
neither words nor numbers
will tie the laces
maybe I should add up the words instead
and read stories
in the numbers
can anybody tell me
something I don't already know
they know something different
they have different meanings
they shoot out their words
words that have something to give me
words I can learn from
but when the words get to me
either I know them or I don't
if I know them
I get nothing new
If I don't know them
I get nothing at all
Later questions:
Are you certain of anything?
How do you know that you are really alive?
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